Showing posts with label JJSP. Show all posts
Showing posts with label JJSP. Show all posts

Thursday, June 19, 2014

OLD SCHOOL JJSP PICTURES


BEHOLD!


Here's a collection of
poorly scanned
photos
from my years at 
J.J. Sedelmaier Productions.

It's hard to believe everyone has 
only become
more beautiful 
as the years have gone by.

Well, except for
animator


Here he is in shock 
at one of our commercial project's
impossible deadlines:



Here's designer
drawin'
Pycho Trainer
shoes:


Assistant animator
getting his
fiber on 
for a
Fiber One
commercial:


Animator
haunts
one of my earliest mentors
Bryon Moore:



JJSP
Production Queen
Irene
"don't do that, do this"
Cerdas


Animator/Designer
designing some 
Beavis and Butthead:


We helped 
intern
realize that animation is a job
reserved for
dummy heads.


talent for growing facial hair
was trumped only by his 
talent for getting done whatever needed to get done:



Animation
production workhorse
 lived down the street from me
and I spent many nights 
running stacks of drawings over to her 
for coloring.


Mr. Sedelmaier with
Barry Vodos on the left
Ray Kosarin on the right
Nate Kaunfer in the back.
And Dean's head.
(i'm not sure why i don't have more pictures of Dean,
he was an integral part of the studio!)


Me doing exposure sheets for
Schoolhouse Rock
(or penning a letter of protest)


I think someone died in this picture.
But Dave photobombed it
so we'll never know who.


Irene and
Schoolhouse Rock
designer
Bill Peckman:


This was,
I dunno...
maybe my 
25th birthday
celebrating
25 years 
(and counting)
of ridiculous hair:


And here's a sooper triple bonus
ASIFA-EAST Executive Board 
picture taken at our annual end of year party:


First row L to R:
Dean Lennert and John R. Dilworth
Second row:
Third row:
Dick Rauh, Dorky McDorkenstein, Janet Benn, Bill Lorenzo

Those were fun days
back in NY!

Monday, May 12, 2014

A GAGGLE OF GAG DRAWINGS


One of the signs of a healthy
animation studio
is the amount of 
gag drawings
being passed around.

Or it's a sign of a
miserable studio
filled with disgruntled artists
but either way
it makes for
plenty of funny doodles.

Most of the time
everyone is grinding out
caricatures of each other
in ridiculous situations.

Some of the first drawings 
I starred in were at 

As a lowly intern,
I got all the weird jobs.
Like having to search 
New York City 
for a
because we needed one for drawing reference.
(no internet back then, yo)

by mike baez

bryon moore

Here's me wearing a pair of 
bumblebee slippers around the studio:

bryon moore

Someone turned on a fan next to my desk
one day and:


And then:


This one's from the bathroom/smoking lounge
of Jumbo Pictures
on the first season of
Doug.
(It grosses me out that I used to smoke so much!)

bryon moore
(pictured from left: bryon moore, sue burgos, dummyhead, nancy lane, simon deitch)

Most of the drawings I have
are from the 5 mighty years I spent at
especially from
Beavis and Butthead:


???

mr. warburton

mr. warburton

???

Birthday cards were a wonderful 
opportunity to stick it to your fellow co-worker.
Designer
Gideon Kendall
ALWAYS
killed it and
MAN
can he draw:

Gideon Kendall

I did this one for Gabrielle Ojeezwhatsherlastname
based on
the
Schoolhouse Rock 
episode we were working on:

mr. warburton

gideon kendall and me

The Dean we speak of is
venerable animator
His move from the big city to 
White Plains
inspired me to draw a
Life In Hell-style comic
based on his exciting new life:



 

I did this for
production queen
Irene Cerdas:


mr. warburton

Here are a couple from
Schoolhouse Rock's 

???

dean lennert?

nate kaunfer?

I have 
NO IDEA
why I'm having dinner with
Boy George in this drawing:

 David Wachtenheim

This had something to do with the suggestion
that my nose looks like the
Statue of Liberty's

Bryon Moore

Or that my hair looked like a carrot:

 ???

I often sat around
waiting for
Beavis and Butthead creator
Mike Judge
to show up 
and approve our character designs:

mr. warburton

 ???

mr. warburton

One day I'll post more
because I've got 
millions of these.

But if you want the
NSFW drawings
you gotta talk to

He kept all those for
um...
research purposes.




Thursday, September 12, 2013

IT'S 1992 ALL OVER AGAIN!


After some NYC animation friends
posted a couple old school
Jumbo Pictures
pics on Facebook
I felt the need to dig out a couple
of my own.

Back in 1992
there weren't no 
or
or

We just had these:






I didn't draw in it much.
It served as more of a diary
of my early animation career.

Most of it's boring
production stuffs:




Occasionally a xeroxed cartoon
would find it's way in.
This one was of 
JJSP
Production Queen
Irene Cerdas:


Bryon Moore 
(one of my earliest mentors)
and I
spent way too much time
drawing
attempting to murder us:


Here's an entry regarding the
short we did for
Saturday Night Live.

After we were done animating on
an INSANE deadline
we were told we needed to change
Clucky's eyes so that they were 
GOOGLY
instead of looking at camera.
Which would have been fine
except for the fact that it
was already painted on cel
AND
we had to still have the project done
so it could air on Saturday:


And yeah...
we got it done
in time!

Too bad it got bumped from that week's 
show at the last minute.
Grrrrrrrrrr...

The next two were from
a Burger King commercial that
designed called
"Wallet"
and some
Fido Dido
stuffs:




Sometimes there was nothing
but laundry
and 
passport photos:


Nice hair, dude.

But here's the real reason I
was digging through the book:

THE PHOTOS
TAPED IN THE BACK!

This group shot of the
ASIFA-EAST EXECUTIVE BOARD
really brought me back.

'

Here I am hanging out
 in the luxurious Jumbo Pictures bathroom
during a party with NYC animation royalty, from left to right,
Dave Concepcion, Simon Deitch, Bryon Moore,
Drinky McBeerstein and Miguel Martinez-Joffre


Master decorator
Jonathan Royce 
found the best use for 
some ugly curtains:


Not sure who that is with me
defacing the walls:




The mighty Buzzco Associates
triumverate
Marilyn Kraemer, Vincent Cafarelli and Candy Kugel:


Working
with
Sue Rose
at the lofty
West Village
office 
of
Fido Dido:


Me on my 24th birthday at
J.J. Sedelmaier Productions:


This was taken shortly after JJSP
added studio space on another floor:


Me and the honorable
Ben Price working on
Cluckin' Chicken:


I'm so glad I
kept these
journals,
if only to prove
that I've only 
become
MORE
handsome
as the years go by.

I hope you're keeping your own.

Seriously.