A SKETCHBOOK FROM THE EARLY 90's

In the grand tradition of

trotting out an old sketchbook

to show you 

whilst

I slowly grind away at

my latest,

I give you

THIS:

This pile of pulp started on 

May 28th, 1992

I was two years into my animation career

and sooper busy on the first season of 

Beavis and Butthead

at

J.J. Sedelmaier Productions:

I worked alot

and

smoked too much:

I did assistant animation

on this MTV id

by the ultimate

Craig Yoe:

So he drew me this:

I volunteered on

an old schooner at the

South Street Sea Port

in my free time:

Not sure who this guy was based on:

We always listened to Howard Stern at the studio,

so how surprised was I when

Mr. Sedelmaier brought

Gary Dell'abate

and

Stuttering John

in for a visit:

Back then

our good friend Lil

opened up a bar called 

The Coyote Ugly Saloon.

(Yeah... that one)

Me and my cronies could usually be found there

playing on the darts team.

Working the door.

Playing pinball.

Or just lounging about:

We did a Converse commercial

starring 

Chainsaw Bob.

Creator

Brandon McKinney 

sketched me this:

Sooper powered 

cartoonist

Gary Leib

was kind enough to do 

some scribblin' for me:

I used to wear big bear slippers around the studio.

When I'd take the elevator from the 3rd floor studio 

to the upstairs offices of JJSP

the the guys from the law offices in the building 

would look at me funny:

Old school NYC graffiti artist

Todd James

(aka REAS)

did some time at

JJSP

and got a hold of my sketchbook

at one the many rooftop parties

at my apartment

on 2nd avenue

between 5th and sixth:

These days Mr. James

is rockin' the art world pretty hard.

Which reminds me of the time I rocked the bottom 

of a pool in the Hamptons...

WITH MY FACE:

Almost scraped off a nipple, too.

But it made for a lot of

good skechbook fodder:

I bought my first computer,

a Powerbook 520C!

160mb hard drive, yo!

And then on

September 17, 1994

(almost two and a 1/2 years later)

it was done:

Back then I was working crazy hours

and animating non-stop

so getting through a sketchbook took a lot longer.

I find it fascinating how much time 

I spent drawing myself back then.

I don't do that much these days.

That's the great thing about keeping these

sketchbook/journal/diary

thingies.

They're true time capsules.

I hope you're 

filling up sketchbooks, too!